[Update: I’m working on a shorter version with fewer long words. Something like crowdsourcing geolocated historial materials/artefacts with specialist users/academic contributors/citizen historians.]
A few people have asked me about my PhD* topic, and while I was going to wait until I’d started and had a chance to review it in light of the things I’m already starting to learn about what else is going on in the field, I figured I should take advantage of having some pre-written material to cover the gap in blogging while I try to finish various things (like, um, my MSc dissertation) that were hijacked by a broken wrist. So, to keep you entertained in the meantime, here it is.
Please bear in mind that it’s already out-of-date in terms of my thinking and sense of what’s already happening in the field – I’m really looking forward to diving into it but my plan to spend some time thinking about the project before I started has been derailed by what felt like a year of having an arm in a cast.
* I never got around to posting about this because my disastrous slip on the ice happened just two days after I resigned, but I’m leaving my job at the Science Museum to take up the offer of a full-time PhD in Digital Humanities at the Open University in mid-March.
Provisional title: Participatory digitisation of spatially indexed historical data
This project aims to investigate ‘participatory digitisation’ models for geo-located historical material.
This project begins with the assumption that researchers are already digitising and geo-locating materials and asks whether it is possible to create systems to capture and share this data. Could the digital records and knowledge generated when researchers access primary materials be captured at the point of creation and published for future re-use? Could the links between materials, and between materials and locations, created when researchers use aggregated or mass-digitised resources, be ‘mined’ for re-use?
Through the use of a case study based around discovering, collating, transforming and publishing geo-located resources related to early scientific women, the project aims to discover:
- how geo-located materials are currently used and understood by researchers,
- what types of tools can be designed to encourage researchers to share records digitised for their own personal use
- whether tools can be designed to allow non-geospatial specialists to accurately record and discover geo-spatial references
- the viability of using online geo-coding and text mining services on existing digitised resources
Possible outcomes include an evaluation of spatially-oriented approaches to digital heritage resource discovery and use; mental models of geographical concepts in relation to different types of historical material and research methods; contributions to research on crowdsourcing digital heritage resources (particularly the tensions between competition and co-operation, between the urge to hoard or share resources) and prototype interfaces or applications based on the case study.
The project also provides opportunities to reflect on what it means to generate as well as consume digital data in the course of research, and on the changes digital opportunities have created for the arts and humanities researcher.
** This case study is informed by my thinking around the possibilities of re-populating the landscape with references to the lives, events, objects, etc, held by museums and other cultural heritage institutions, e.g. outside museum walls and by an experimental, collaborative project around ‘modern bluestockings’, that aimed to locate and re-display the forgotten stories around unconventional and pioneering women in science, technology and academia.