These are my notes from session 4, 'Quick and light solutions', of the UK Museums on the Web Conference 2008. In the interests of getting my notes up quickly I'm putting them up pretty much 'as is', so they're still rough around the edges. There are quite a few sections below which need to be updated when the presentations or photos of slides go online. [These notes would have been up a lot sooner if my laptop hadn't finally given up the ghost over the weekend.]
Frankie Roberto, 'The guerrilla approach to aggregating online collections'
He doesn't have slides, he's presenting using Firefox 3. [You can also read Frankie's post about his presentation on his blog.]
His projects came out of last year's mashed museum day, where the lack of re-usable cultural heritage data online was a real issue. Talk in the pub turned to 'the dark side' of obtaining data – screen scraping was one idea. Then the idea of FoI requests came up, and Frankie ended up sending Freedom of Information requests to national museums in any electronic format with some kind of structure.
He's not showing site he presented at Montreal, it should be online soon and he'll release the code.
Frankie demonstrated the Science Museum object wiki.
[I found 'how it works' as focus of the object text on the Science Museum wiki a really interesting way of writing object descriptions, it could work well for other projects.]
He has concerns about big top down projects so he's suggesting five small or niche projects. He asked himself, how do people relate to objects?
1. Lots of people say, "I've got one of these" so: ivegotoneofthose.com – put objects up, people can hit button to say 'I have one of those'. The raw numbers could be interesting.
[I suggested this for Exploring 20th Century London at one point, but with a bit more user-generated content so that people could upload photos of their object at home or stories about how they got it, etc. I suppose ivegotoneofthose.com could be built so that it also lets people add content about their particular thing, then ideally that could be pulled back into and displayed on a museum site like Exploring. Would ivegotoneofthose.com sit on top of a federated collections search or would it have its own object list?]
2. Looking at TheyWorkForYou.com, he suggests: TheyCollectForYou.com – scan acquisition forms, publish feeds of which curators have bought what objects. [Bringing transparency to the acquisition process?]
3. Looking at howstuffworks.com, what about howstuffworked.com?
4. 'what should we collect next?' – opening up discourse on purchasing. Frankie took the quote from Indiana Jones: thatbelongsinamuseum.com – people can nominate things that should be in a museum.
5. pricelessartefact.com – [crowdsourcing object evaluation?] – comparing objects to see which is the most valuable, however 'valuable' is defined.
[Except that possibly opens the museum to further risk of having stuff nicked to order]
Fiona Romeo, 'Different ways of seeing online collections'
I didn't take many detailed notes for this paper, but you can see my notes on a previous presentation at Notes from 'Maritime Memorials, visualised' at MCG's Spring Conference.
Mapping – objects don't make a lot of sense about themselves, but are compelling as part of information about an expedition, or failed expedition.
They'll have new map and timeline content launching next month.
Stamen can share information about how they did their geocoding and stuff.
Giving your data out for creative re-use can be as easy as giving out a CSV file.
You always want to have an API or feed when doing any website.
The National Maritime Museum make any data set they can find without licensing restrictions and put it online for creative re-use.
[Slide on approaches to data enhancement.]
Curation is the best approach but it's time-consuming.
Fiona spoke about her experiments at the mashed museum day – she cut and paste transcript data into IBM's Many Eyes. It shows that really good tools are available, even if you don't have resources to work with a company like Stamen.
Mike Ellis presented a summary of the 'mashed museum' day held the day before.
Questions, wrap up session
Jon – always assume there (should be) an API
[A question I didn't ask but posted on twitter: who do we need to get in the room to make sure all these ideas for new approaches to data, to aggregation and federation, new types of experiences of cultural heritage data, etc, actually go somewhere?]
Paul on fears about putting content online: 'since the state of Florida put pictures of their beaches on their website, no-one goes to the beach anymore'.
Metrics:
Mike: need to go shout at DCMS about the metrics, need to use more meaningful metrics especially as thinking of something like APIs
Jon: watermark metadata… micro-marketing data.
Fiona: send it out with a wrapper. Make it embeddable.
Question from someone from Guernsey Museum about images online: once you've downloaded your nice image its without metadata. George: Flickr like as much data in EXIF as possible. EXIF data isn't permanent but is useful.
Angela Murphy: wrappers are important for curators, as they're more willing to let things go if people can get back to the original source.
Me, referring back to the first session of the day: what were Lee Iverson's issues with the keynote speech? Lee: partly about the role of institution like the BBC in modern space. National broadcaster should set social common ground, be a fundamental part of democratic discussion. It's even more important now because of variety of sources out there, people shutting off or being selective about information sources to cope with information overload. Disparate source mean no middle ground or possibility of discussion. BBC should 'let it go' – send the data out. The metric becomes how widely does it spread, where does it show up? If restricted to non-commercial use then [strangling use/innovation].
The 'net recomender' thing is a flawed metric – you don't recommend something you disagree with, something that is new or difficult knowledge. What gets recommended is a video of a cute 8 year old playing Guitar Hero really well. People avoid things that challenge them.
Fiona – the advantage of the 'net recomender' is it's taking judgement of quality outside originating institution.
Paul asked who wondered why 7 – 8 on scale of 10 is neutral for British people, would have thought it's 5 – 6.
Angela: we should push data to DCMS instead of expecting them to know what they could ask for.
George: it's opportunity to change the way success is measured. Anita Roddick says 'when the community gives you wealth, it's time to give it back'. [Show, don't tell] – what would happen if you were to send a video of people engaging instead of just sending a spreadsheet?
Final round comments
Fiona: personal measure of success – creating culture of innovation, engagement, creating vibrant environment.
Paul: success is getting other people to agree with what we've been talking about [at the mashed museum day and conference] the past two days. [yes yes yes!] A measure of success was how a CEO reacted to discovering videos about their institution on YouTube – he didn't try to shut it down, but asked, 'how we can engage with that'
Ross on 'take home' ideas for the conference
Collections – we conflate many definitions in our discussions – images, records, web pages about collections.
Our tone has changed. Delivery changed – realignment of axis of powers, MLA's Digital portfolio is disappearing, there's a vacuum. Who will fill it? The Collections Trust, National Museum Directors' Conference? Technology's not a problem, it's the cultural, human factors. We need to talk about where the tensions are, we've been papering over the cracks. Institutional relationships.
The language has changed – it was about digitisation, accessibility, funding. Three words today – beauty, poetry, life. We're entering an exciting moment.
What's the role of the Museums Computer Group – how and what can the MCG do?