Survey results: is it friendly or weird when a museum twitter account follows you back?

Last Tuesday, I asked 'If you follow a museum on twitter, is it friendly or weird if it follows you back?' after calls from some quarters for #followavisitor #followamember or #MuseumsFollowYouBack days after followamuseum day on Twitter.  The poll gathered 50 responses overall and I've presented an overview of the results here.

Question 2 was added in response to a suggestion from a respondent after 20 responses had already been given, so for this reason alone, the results should not be taken as anything other than an interesting indication of responses.  I've shared the written responses to various questions, and provided a quick and dirty analysis of the results.

1. If you follow a museum on twitter, do you want it to follow you back?

Yes 49%
No 26.50%
It depends 26.50%

13 further comments were given for 'it depends':

  • if they're conversational or broadcasting
  • I hope they do, they don't have to.
  • Depends on what the account is doing. If it's just sending out announcements, who cares if it follows you back? If they're actually using Twitter, and there's an actual person back there somewhere doing something interesting, I'd be pleased if they decided to follow me, like any other user.
  • Of couirse I'd like it, but I understand if they don't due to over-following capacity!
  • If the museum is going to engage w/ me then yes; if it's just to broadcast I'm on the fence
  • I'm an art historian, so if an art museum started to follow me, I would be flattered! But if another kind of museum followed me, I would be slightly confused. So I think it would depend entirely on the profession of the person and if they use their account in a professional way
  • If they start wanting to be my best bud, I'd probably get creeped out and block them.
  • I wouldn't mind being followed, but not as a data point in a marketing database or to get impersonal spam.
  • I don't think I really have a strong view either way.
  • Why?
  • If I've started a discussion with said museum through twitter
  • Don't mind either way in most cases
  • it has no material effect — I don't gain anything from it following me.
I also posted the question on Facebook, and two people said it was weird. One went further, "I think it's weird, unless you primarily tweet about museums. I assume that anyone following me that is following more than 200 people doesn't actually read my tweets.".

2. If you follow a museum on twitter, do you mind if it follows you back?

Yes 2%
No 44%
It depends 14%
Skipped 40%
[See note above about the number of 'skipped' responses]

7 further comments were given for 'it depends':

  • I'd rather be able to look at who you follow to find other twitterers of interest. Can't do that if you follow thousands of people back. Be selective so we can look thru them.
  • not unless my tweet is museum related
  • It depends on whether I know who is behind the tweets. Being a museum professional, sometimes they are colleagues, and that's okay with me.
  • I don't really care, but I think it's silly.
  • I just don't see why they would, it doesn't help either of us
  • See above :)
  • I would prefer it to follow back, especially if it's relevant to my own areas of historical interest, but no one has to follow anyone they don't want to.

So it looks like you can't win – almost 50% of new followers expect you to follow them and 50% either don't, or only do under some circumstances.  As you can see from the responses to questions 3 and 4 (below), the results have presumably been skewed as 50% of respondents have a close involvement with museums, and a whopping two-thirds have a professional or academic interest in social media. I'm using the free version of SurveyMonkey so can't easily split out the 'social media' or 'museum professional' responses from the rest to see if people who are neither have different views on reciprocal following.

The only way to get a sense of whether followers of your particular museum account expect to be followed back, or mind being followed back, may be to ask them directly.

Of the people who were able to answer question 2, a very small minority unequivocally minded being followed by a museum account, but 44% of those who answered don't mind if a museum account doesn't follow them back.

Another interesting question would have been 'is it friendly or weird if an organisation follows you after you mention them?' – if you do any more research into the issue, let me know.

Question 6 asked for 'Any other comments?'.

  • Though I don't work in a museum, I work in or with museums. I think the main issue is that museums tweeting should have personality, you should feel it's a person (or group of people) that want to engage with you. I think if they follow me, it's more likely they will hear me and engage.
  • By following and being followed by a museum it creates a sense of community (although of course I realize the museums won't have time to read all the tweets).
  • I run a twitter account on behalf of a library, and think it's good manners to follow back someone who follows you (like returning a hello). I always try to reply to people who want to talk to us, but try not to butt into conversations that are *about* us, but which don't want us to reply to them (this can be tricky). As a user, by and large – I only want to talk to museums when I know the people doing the tweeting – and in New Zealand, I know most of these people anyway. Internationally, I do the same thing. Courtney Johnston, @auchmill, @nlnz
  • I like when museums respond to my comments or @ replies, but I'm not as comfortable with them following me. Being responsive is different than following.
  • Twiter has become one of the best sources for professional info & contacts @innova2
  • It would be more useful for the museum to keep track of hashtags, etc.
  • I want to communicate with people I follow, so following me back makes it easier. I don't expect them to read all/most of what I say, but it's nice…especially on my protected account (otherwise they never see the @)
  • Museums rock!
  • I don't really mind either way. I find it flattering if an institution wants to follow me. They must think I have something to say!
  • I feel that museums have a great opp to get more individuals involved in history and the arts via social media – personally I follow a few and am always pleased to hear about new exhibits, events, etc.
  • I work with museums, that's why I would like them to follow me back. I use Twitter for work, so I don't mind if they follow back. If I would talk to my friends over Twitter about private stuff maybe I WOULD mind….
  • If a museum (or anyone) didn't follow back, I would probably unfollow after a while unless their tweets were really something special.
  • I want people/institutions to follow me if they have genuine interest in my tweets – the same criteria I apply when choosing who to follow myself!
  • The real question probably should have been (or maybe an additional question should have been): do you MIND if a museum you follow follows you back. Because really, I don't necessarily want them to, but I don't mind if they do. I have the power to block if need be.
  • I think if the Museum was clear about WHY it was following me on twitter it would be less "stalkerish". In general I somewhat expect to be followed by those I am following. Although I am not sure if organizations (Museums) really need to follow individuals. I would imagine the Museum's staff would be overwhelmed with the number of completely unrelated tweets. What would be the advantage that couldn't be obtained better by simply searching twitter for key terms related to the museum, content, exhibit, etc? (Note: I do not work "in" a museum but have worked with over 6 museums to define and develop their websites and web marketing activities)
  • I manage a twitter feed for a project at a science center. I follow people, organizations and businesses that are in the service area for the project (a watershed). I also follow other organizations that are working on similar issues (water quality).
  • I think not following people back is poor Twitter etiquette. That is like saying to someone, "Listen to me! But I won't listen to you!"
  • 1. Personally, I find follow bots mildly more insulting than not being followed back. 2. In my professional capacity tweeting for a museum, if someone @mentions us, I follow them (I consider it friendly). The fact that this could be done equally well (and more efficiently) by a bot disturbs me a bit.
  • I tweet with an interest in culture, art, and museums in mind. It's more of a compliment for museums to follow back than a feeling of being stalked, as it shows interest in its reader's tweets.
  • Leave the poor souls alone, they only want to know what's going on at your museum. I've blocked Museum of London (and I have every reason to trust them. Or not)
  • How is it stalkerish…dumb survey
  • Happy to be followed if it would help the museum understand more about its audience  
So that's that.   I thought 'being responsive is different than following' summed things up quite nicely, but whatever your view, some interesting opinions have been expressed above.
I hadn't considered before that not following someone back was rude – I must appear terribly rude on my personal accounts but I just can't keep up with so many accounts, especially as I can have lots of time away from the keyboard.

Finally, the demographic questions (kept brief to keep the survey short)
3. Do you work, study or volunteer in a museum?
Yes 56%
No 44%

4. Do you work, study or volunteer in social media?
Yes 68%
No 32%

5. Where in the world are you?

Countries Total respondents
Australia 2
Belgium 1
Canada 2
Germany 1
Netherlands 4
New Zealand 1
Norway 1
Spain 2
Switzerland 1
UK 17
USA 18

If you follow a museum on twitter, is it friendly or weird if it follows you back?

Another Quick and Dirty Completely Unscientific Survey [tm].  Today was #followamuseum day on Twitter, and it's all lovely and stuff, but I noticed some comments tagged #followavisitor #followamember or #MuseumsFollowYouBack suggesting that museums should follow you back. Now, I personally hate it* when an institution I've followed or mention follows me – particularly when I've only mentioned them in twitter conversation and not actually directed a comment at their username.  Ugh, creepy.

So we clearly have two different sets expectations about our relationships with institutional accounts. I wanted to know what the expectations 'out there' were, so I whipped up a quick survey and tweeted it, asking 'Friendly or stalkerish?'.  I've also asked the question on Facebook, where my network is much less museum-y and social network-y**. You can go add your opinion now: http://www.surveymonkey.com/s/CSVXVCM

A supplementary question I didn't add: "if a museum follows you back, do you really think they have time to read your tweets, or just respond to @ replies?"

* nearly all the time, anyway. I'd never think 'ooh, they're interested in me as an individual', even though, y'know, I'm really interesting and stuff.

** You can tell, because my brother thought it was hilarious to respond: "You should go further and, whenever anyone visits the museum, pay them a return visit to check out all the stuff at their place. Imagine that! They'll love it!", but someone, somewhere, is adding that to their museum marketing plan.

Cosmic Champions – winners of Cosmic Collections competition announced

I originally posted this on the Science Museum developers blog.

In case you missed the announcement on twitter or elsewhere, the winners have been revealed…

Our thanks to everyone who participated, commented, critiqued or cheered the project along.

And here's the announcement page from the Science Museum website

Via the Internet Archive

Find out who won our Cosmic Collections competition.

Cosmic Champions

Last October, we launched a competition to release hundreds of stories from the Cosmos & Culture exhibition on to the web. We invited astronomy enthusiasts, designers and web developers to create their own websites with our objects – and the results are now in.

There were two competitions, to create websites for adults and for the 11-16 age group. We didn’t get enough entries in the second group to award a prize, but the quality of the entries in the adult group was so high that we’ve decided to award an extra prize for that.

Overall winner (£1000 prize)

Simon Willison and Natalie Down
Entry at http://cosmos.natimon.com/
The judges felt that Simon and Natalie’s entry made the best use of our collections data, as it allows users to browse objects by people, places and celestial body, making links between them. Judge Chris Lintott describes it as 'having a wikipedia-like quality of sucking the user in for just one more click'.

Runner-up (£750 prize)

Ryan Ludwig
Entry at http://www.serostar.com/cosmic/
The judges were really impressed with the visual appeal of Ryan’s entry, particularly the image gallery with thumbnails and zoom function.

The judges also commended Ray Shah’s entry (http://collection.thinkdesign.com/), particularly the function for users to add their own data.

What happens next?

We’ll be working with our winners to incorporate the best aspects of their entries into a finished product. We will be launching it on the Science Museum’s website in February, so watch this space!

Notes

1) The competition judges were:

Christian Heilmann
A geek and hacker at heart, Christian Heilmann has been a professional web developer for about eleven years. He has been nominated "standards champion of the year 2008" by .net magazine in the UK and he currently sports the fashionable job title "International Developer Evangelist" spending his time speaking and training people on systems provided by Yahoo and other web companies that want to make this web thing work well for everybody.

Chris Lintott
Chris Lintott is a post-doctoral researcher in the Department of Physics at the University of Oxford. His research looks at the analysis of star formation, including being principal investigator for the Galaxy Zoo project. He is also co-presenter on the Sky at Night program alongside Sir Patrick Moore.

2) Entries to the competition were assessed under the following categories:

  • Use of collections data
  • Creativity
  • Accessibility
  • User experience
  • Ease of deployment and maintenance

3) The Cosmos & Culture exhibition is supported by the Patrons of the Science Museum with additional support from the Science & Technology Facilities Council, STFC.

Why do museums prefer Flickr Commons to Wikimedia Commons?

A conversation has sprung up on twitter about why museums prefer Flickr Commons to Wikimedia Commons after Liam Wyatt, Vice President of Wikimedia Australia posted "Flickr Commons is FULL for 2010. GLAMs, Fancy sharing with #Wikimedia commons instead?" and I responded with "has anyone done audience research into why museums prefer Flickr to Wikimedia commons?".  I've asked before because I think it's one of those issues where the points of resistance can be immensely informative.

I was struck by the speed and thoughtfulness of responses from kajsahartig, pekingspring, NickPoole1, richardmccoy and janetedavis, which suggested that the question hit a nerve.

Some of the responses included:

Kasja: Photos from collections have ended up at wikipedia without permission, that never happened with Flickr, could be one reason [and] Or museums are more benevolent when it happens at Flickr, it's seen more as individuals' actions rather than an organisations'?

Nick: Flickr lets you choose CC non-commercial licenses, whereas Wikimedia Commons needs to permit potential commercial use?

Janet: Apart fr better & clear CC licence info, like Flickr Galleries that can be made by all! [and] What I implied but didn't say before: Flickr provides online space for dialogue about and with images.

Richard: Flickr is so much easier to view and search than WM. Commons, and of course easier to upload.

Twitter can be a bit of an echo chamber at times, so I wanted to ask you all the question in a more accessible place.   So, is it true that museums prefer Flickr Commons to Wikimedia Commons, and if so, why?

[Update: Liam's new blog post addresses some of the concerns raised – this responsiveness to the issues is cheering.  (You can get more background at Wikipedia:Advice for the cultural sector and Wikipedia:Conflict of interest.)

Also, for those interested in wikimedia/wikipedia* and museums, there's going to be a workshop 'for exploring and developing policies that will enable museums to better contribute to and use Wikipedia or Wikimedia Commons, and for the Wikimedia community to benefit from the expertise in museums', Wikimedia@MW2010, at Museums at the Web 2010. There's already a thread, 'Wikimedia Foundation projects and the museum community' with some comments.  I'd love to see the 'Incompatible recommendations' section of the GLAM-Wiki page discussed and expanded.

* I'm always tempted to write 'wiki*edia' where * could be 'm' or 'p', but then it sounds like South Park's plane-rium in my head.]

[I should really stop updating, but I found Seb Chan's post on the Powerhouse Museum blog, Why Flickr Commons? (and why Wikimedia Commons is very different) useful, and carlstr summed up a lot of the issues neatly: "One of the reasons is that Flickr is a package (view, comment search aso). WC is a archive of photos for others to use. … I think Wikipedia/Wikimedia have potential for the museum sector, but is much more complex which can be deterrent.".]

Cosmic Collections – the results are in. And can you help us ask the right questions?

For various reasons, the announcement of the winners of our mashup competition has been a bit low key – but we're working on a site that combines the best bits of the winners, and we'll make a bit more of a song and dance about it when that's ready.

I'd like to take the opportunity to personally thank the winners – Simon Willison and Natalie Down in first place, and Ryan Ludwig as runner-up – and equally importantly, those who took part but didn't win; those who had a play and gave us some feedback; those who helped spread the word, and those who cheered along the way.

I have a cheeky final request for your time.  I would normally do a few interviews to get an idea of useful questions for a survey, but it's not been possible lately. I particularly want to get a sense of the right questions to ask in an evaluation because it's been such a tricky project to explain and 'market', and I'm far too close to it to have any perspective.  So if you'd like to help us understand what questions to ask in evaluation, please take our short survey http://www.surveymonkey.com/s/5ZNSCQ6 – or leave a comment here or on the Cosmic Collections wiki.  I'm writing a paper on it at the moment, so hopefully other museums (and also the Science Museum itself) will get to learn from our experiences.

And again – my thanks to those who've already taken the survey – it's been immensely useful, and I really appreciate your honesty and time.

Unintentional (?) Friday funny

It's a long time since I had one of these. I can go on blaming uni assessments and work, but it gets boring.

I assume it's not intentional, but this Guardian article A world of screens and plastic has fed a cultish craving for relics of the past is hilarious, and beautifully quotable. As Linda Spurdle tweeted: 'I missed this training day! "Museum staff are trained to behave as acolytes to their objects.." prob stuck on H & S day'.

On the BBC/BM 'A History of the World': "Since this is radio, we are not allowed to see the objects, thus enhancing the status of their custodian as interceding priest. … Authenticity is essential and there must be no copies or representations – in ­MacGregor's case not so much as a ­picture." Well, you could look online.

And if is to be true "[i]t does not matter if no one ever sees the shard. Most museum objects are seen only by their guardians, albeit financed by tithes from taxpayers", we'd probably better hide the 230,000 Science Museum, National Railway Museum and National Media Museum objects online. On the other hand, I do like a good 'museum as church' argument, cos if it was true the office wouldn't have bundles of excited kids on the other side of the door and it might be be quieter.

On a more serious note, whenever I come across articles like this it reminds me how far we have to go in helping people realise exactly how accessible, enjoyable, potentially challenging and just plain interesting our (your, their) museums are.

Museum design patterns (from the GLAM API wiki)

I originally posted this on the Museums and the machine-processable web Museum design patterns page.

Inspired by the Yahoo! Design Pattern Library and expanding on situations particular to museum content (particularly exhibitions and catalogues), audiences and context (from stereotypes of museums as boring and dry to issues around authority and trust in cultural heritage)…

These design patterns might be useful for coming up with common data structures that could inform a shared schema for linking across collections, help provide a framework for sharing audience evaluation and comparing visitation figures, etc.

A bit of an experiment – let's see if it sticks.

If you're using design patterns already, do any that particularly need adapting come to mind?  Or can you share some behaviours you've noticed that are typical of museum audiences?

Suggestions for simple starting points also welcome!  I've put some very initial rough thoughts below – with any luck there are existing current typologies out there that could replace this.

Design patterns

Encouraging debate, comments

Participation rates on museum blogs and other commenting sites are often low, perhaps lower than the equivalent content might attract on a non-museum site.  How have the most successful sites encouraged participation and comment?

Search patterns

[share what you know!]

Typology of museum sites (as a context for more specific design patterns)

NB: many sites will contain a mixture of types, though often collections or exhibition sites are presented as 'microsites'.

Brochure-ware

Do these still exist?

Experiential exhibitions sites

From shiny interactive/multimedia brochureware to games tied to the gallery experience/content.

Exhibition catalogue sites

Presentations of exhibition content, usually replicating curatorial or physical organisation methods used in the physical gallery or a translation of the print catalogue into a website.

Online-only exhibition site

Is this just about the level of interpretation – narratives, thematic contexts etc wrapped around object records?

Collections catalogue sites

Online catalogue, generally with organisation structures that replicate the management structures or subjects of the museum.

References

Comments on the wiki page

Comments (8)

Nate Solas said

at 3:19 pm on Jan 22, 2010

I've been doing an informal survey of how institutions present their online collection, and how they handle decisions like "advanced search", stemming of keywords, and whether they use an implicit AND or OR between multiple keywords. Hopefully I can summarize some of that into a few design patterns? If nothing else maybe I'll post the table here and let others go at it!

Mia said

at 11:29 pm on Jan 26, 2010

Good idea! Let me know if you want us to test the descriptions out for you, or to pass around a survey or something.

Mia said

at 7:13 pm on Feb 1, 2010

Nate, have you seen this? http://searchpatterns.org/

Nate Solas said

at 7:26 pm on Feb 1, 2010

Just today. A day late to help my paper, alas! I've read a bunch of Morville's blog – he's pretty good at presenting the big ideas in an understandable way and that new book and site seem awesome. I'll have to see if I can get the Walker to pay for a copy for me… :)

Richard said

at 6:31 pm on Aug 18, 2010

Mia,
Do you have a sense of the granularity you are looking for? The pattern libraries I've been using seem to focus on smaller snippets of interface (e.g. how to do a button, or an ordered list, etc. or Morville's search patterns). Would it be useful to re-frame the question of cultural heritage patterns at the same level? e.g. the Image/Tombstone pattern, which maybe used across different types of sites (or site functions). The point of this is to provide other developers re-usable/re-mixable code/style patterns, no?

I have some thoughts on this from a more research/analysis focus, but I don't think that's what you're getting at here. I can post more if that's of interest.

Mia said

at 1:13 am on Aug 19, 2010

That's a good question – I don't actually mean the patterns are that broad, just that the application and desirability of a pattern will depend on the type of site, or the section of the site. For example, you could possibly build a pattern around providing the basic when/where/how much information – if successful, the visitor would be able to find that and be on their way to the actual museum within a few seconds. But if you'd spent a lot of time creating video content about an exhibition, you'd hope the visitor would stick around long enough and see enough to be convinced to take the next step, whether that's booking tickets or whatever.

Mia said

at 1:15 am on Aug 19, 2010

And yes, please do post more! I think, to my mind, even image/tombstone depends on context – how big should the image be, how many images, interpretative or qualified dates in the tombstone data, etc.

Mia said

at 5:36 pm on Aug 26, 2010

Must read later: http://welie.com/patterns/showPattern.php?patternID=museum

Links of interest – November 2009

I've fallen into the now-familiar trap of posting interesting links on twitter and neglecting my blog, but twitter is currently so transitory I figure it's worth collecting the links for perusal at your leisure. Sometimes I'll take advantage of the luxury of having more than 140 characters and add comments [in brackets].

And stuff I really must find time to read properly:
Finally, a tweet about an interview with me about the Cosmic Collections competition.
I really should group those tweets and replace all the shortened links with the full URLs but it's already taken a surprisingly long time to put this post together.

Cosmic Collections – do one thing and do it well

I originally posted this on the Science Museum developers blog, filed under: API,competition,cosmosandculture,mashups — mia @ 7:03 pm

The Cosmic Collections competition has been running for a few weeks now, and while we’ve been sucked into a vortex of other projects, I’ve been keeping an eye out for feedback from the public.

As a result, I’ve realised that there may be some mismatch between the way mashups tend to work, and the scope we’ve suggested for entries to our competition. The types of interfaces someone might produce with the API may lend themselves more to exploring one particular idea in depth than produce something suitable for the broadest range of our audiences.

So I’m proposing to change the scope for entries to the competition, to make it more realistic and a better experience for entrants: I’d like to ask you to build a section of a site, rather than a whole site. The scope for entrants would then be: “create something that does one thing, and does it well”. Our criteria – use of collections data, creativity, accessibility, user experience and ease of deployment and maintenance – are still important but we’ll consider them alongside the type of mashup you submit.

This might mean producing a mashup for one particular way of exploring the objects, or exploring a sub-set of the objects. It’d then be up to us to combine the winning mashups into a larger site that works for our audiences.

What do you think? If there aren’t any huge objections, I’ll go ahead and update the criteria. Of course, if you’ve been working on something and feel it’s unfair to change the criteria at this stage, let me know and we’ll work something out.

As a reminder, here are the basic details for the Cosmic Collections competition:

How to take part

1. Check out the data here

2. Get some help:

Read our tips for entrants, check out these mashup resources, and get some info about our audiences. Check out the documentation and connect with other people who want to enter the competiton. You can also join the Google group or use the hashtag #coscultcom in conversations on Twitter.

3. Get inspired

Visit the exhibition and check out these videos about the exhibition

4. Get creative and get mashing!

5. Send us a link to your entry.

Email us by midnight on November 28 (GMT) – you don’t need to pre-register.

(And the title? I’m a big fan of the Unix philosophy, “do one thing and do it well”.)

'Cosmic Collections' launches at the Science Museum this weekend

I think I've already said pretty much everything I can about the museum website mashup competition we're launching around the 'Cosmos and Culture' exhibition, but it'd be a bit silly of me not to mention it here since the existence and design of the project reflects a lot of the issues I've written about here.

If you make it along to the launch at the Science Museum on Saturday, make sure you say hello – I should be easy to find cos I'm giving a quick talk at some point.
Right now the laziest thing I could do is to give you a list of places where you can find out more:
Finally, you can talk to us @coscultcom on twitter, or tag content with #coscultcom.
Btw – if you want an idea of how slowly museums move, I think I first came up with the idea in January (certainly before dev8D because it was one of the reasons I wanted to go) and first blogged about it (I think) on the museum developers blog in March. The timing was affected by other issues, but still – it's a different pace of life!